16 februari 2018

Als ik in de buurt van de Pont ben ga ik altijd even kijken, het maakt niet uit welke tentoonstellingen er plaats vinden en of ik ze al gezien heb: er is altijd wel iets te zien waardoor ik verrast wordt. Ik was een tijdje niet geweest en was nieuwsgierig naar het cadeau van Anish Kapoor dat voor de ingang is geplaatst. Daarnaast was de jubileumtentoonstelling ter gelegenheid van het 25 jarig jubileum voorbij, maar er waren nog onderdelen te zien. Aangezien ik een paar dagen in Tilburg was om “Keepsake” in te richten in Kunstpodium T fiepte ik naar binnen en werd ik weer verrast:

Christian Boltanski: Menschlich (daders en slachtoffers willekeurig door elkaar)

Philippe Vandenberg: Arafat painting – 1990

Raoul de Keijzer

Luc Tuymans

Sigmar Polke (waarvan meerdere grote doeken te zien zijn)

Een verrassende Ton Verhoef

Giuseppe Penone: Palpebre – 1981-1991 – nog niet eerder zo ruim geïnstalleerd


En het is erg mooi met het werk van Richard Long er voor geplaatst

In de wolhokken o.a. Sophie Calle met werk dat ik nog niet zag

en dit werk van Anri Sala met draaiende handschoenen

Buiten keek ik nog even naar het werk van Anish Kapoor dat geschonken is: een prachtige getordeerde snede uit de hemel!

Museum de Pont

EX-MÊKH@ Platforms Project – Art Athina day 2

12 mei 2014

In the Gennadius library in Athens, an institute for research linked to the American School of Classical Studies, the general public is usually kept out. Now however everybody is welcome to visit an international exhibition which is organized on its premises and in the library, well known artists show their work under the name “A Thousand Doors”. This exhibition has been organized by NEON, a foundation which was started by the wealthy collector D. Daskopoulos to show and stimulate contemporary art in Greece. For this occasion Neon involved The Whitechapel Art Gallery in the show which can be recognized somewhat in the artists that are being shown. The exhibition has wonderfully succeeded in showing how art can form a means to take the spectator to another time and to another world. In this respect the library is an appropriate context, because books also have exactly the quality the exhibition tries to achieve. This is not the only aspect that makes this location perfect for the exhibition: the library houses in a beautiful neo-classistic building surrounded by a magnificent garden. Both the house and the garden were used for the exhibition and some of the artists seem to have made their work especially for this spot. A must see when in Athens!


Front: Francis Upritchard, back: Daniel Silver – Freud applied to Greek philosophers



In the studyroom of the library we can see a beautiful piece of Georg Herold: texts from poetry in different languages on a wooden construction one can see when one looks up.




And this is what the complete work looks like in the space


Matthew Barney also makes books


as does Isa Genzken, this is a fancy publication from Germany


Mark Manders also feels at home here


Pavel Büchler practices German Philosophy in Greece


Christian Boltanski practices personal archeology, he shows the contents of a box from his archive


with catalogues, texts etc.




John Latham petrifies books


Edward Ellington standardises forms in his books


A collection of autographs by Shuruq Harb


Here you can see the Georg Herold piece from above


Michael Deans work seems a bit sick


but he really has a sense of humor


Here also something readable has been used, I can not find the name of the artist anymore


Meric Algün Ringborg created a library of books that have never been lent


Nina Fisher and Meroan el Sani made a video in the Bibliotheque National in Paris after the books had been moved to a new library


Ah, I remember, this is made by Paky Vlassopoulou


Outside around the building we first see the books made of filo-dough by Nikos Navridis


the placing of which was wel thought about by the way


Iannis Kounellis could not be missed in this context


Juan Muñoz certainly feels at home on this patio


As does Giuseppe Penone in the garden


Whose bark turned inside out has been guilded on the inside (but actually really on the outside if you can follow)



Silver placed his work in several spots


with homemade classical sculpture in a variety of materials


And finishing off the Argentino Adrián Villar Rojas shows us the future















Everyday, at a quarter before closing time, a soundwork of Kostas Ioannidis can be heard. A magical symphony of birds sounds from the speakers to discuss with the birds present in the garden. Ioannidis  is known for this kind of  wonderful interventions. In Rotterdam he was invited by “Het Wilde Weten” for which occasion he had nightingales sound in the water of the van Mannenstreet. An experience for who accidentally dove into the water.


Ioannides work at 19.45h

One of the youngest artists to contribute to the exhibition and also one of the most interesting ones is Valentina Karga. Five days a week she is present to invite visitors to make a walk in the garden and to think about information, knowledge, education and the meaning of this in our times. At the end of the walk an account of what has been talked about is worked out on a typewriter in two copies which are signed. The collection of the “Exercises in Walking and Talking” will be taken in the Gennadeios Library after the exhibiton.

karga 2

Valentina Karga talking with visitors



karga 1

Valentina Karga at the acoounts of her discussions

Een bericht van Maria Ikonomoupoulou en chmkoome

The Gennadius Library

Boltanski 19 924 458 +/-

6 mei 2014

“Occupying approximately 1,400 square meters (over 15,000 square feet) in SESC Pompeia’s communal space, the installation is a dense concentration of 950 towers (skyscrapers) constructed of corrugated cardboard and papered with pages from telephone directories. In Boltanski – 19,924,458 +/- (the number oscillates in accord with the population of São Paulo), the movement of lights at alternating intervals becomes an indicator of births and deaths in the São Paulo megalopolis.”


Christian Boltanski: 19.924.458 +/- – 2014

SESP Sao Paulo


15 en 16 september 2012

Een rondje Euregio met Manifesta 9 Genk, “ Am Anfang “ Kunsthalle Bonn, keulen en Anselm Kiefer/Joseph Beuys : Zeichnungen, Gouchen,  Bücher: Museum Küppersmühle, Duisburg

Klikt u maar!

Manifesta 98





La mémoire et la parole

13 september 2005

Even wat anders over een gewaardeerd artiest:

L’installation est donc, dans sa présentation, très simple. Ce qu’elle suggère l’est moins. Ces figures humaines qui disent “je” affirment leur individualité, pense-t-on d’abord ­ – ce que l’artiste confirme. Mais laquelle et comment ? Quel sens peuvent avoir ces définitions laconiques, un qualificatif psychologique unique, “courageux” ou “heureuse” ? Qui supporterait d’être réduit à un mot ? Ces figures anonymes, presque semblables puisqu’elles ne se distinguent entre elles que par la coupe et la longueur de leurs manteaux, demeurent insaisissables, même si elles parlent. Disent-elles leur vérité ou mentent-elles ? Prendre la parole est-elle donc une pièce sur la singularité ou sur l’inaccessibilité ? L’œuvre est forte parce qu’elle laisse sur cette incertitude tout en restant, pour l’œil, immédiatement accessible.

Christian Boltanski: Prendre la parole – 2005

Le Monde

Marian Goodman