#4: Athens – Platforms Project 2017

May 22, 2017

Today was my birthday, so we decided to go and have a swim in the Mediterranian and to have lunch on the beach. At the fair there appeared to be much more public then the day before and in between we celebrated with cake, beer and wine. It was a joyful day for everyone!

Our German neighbours from Berlin bought me a delicious Citronentorte

which was thouroughly enjoyed by everyone, including Petri from Kallio Kunsthalle

Meanwhile the conference had started about the situation of the cultural sector in Greece, lots of local heavy’s present

It was opened by Artemis Potamianou, who miraculously organised Platforms Project 2017 within two months after beïng kicked out of Art Athina for dubious reasons.

KRAATZ in the meanwhile changed their booth again

with a nice intimate wall on the side

Which combines beautifully with Ellen Rodenberg’s work at the EX-MÊKH booth

My own installation also has its merits in the details

and Greeks are particularly enthousiastic about Malieveld, probably because the atmosphere is exotic to them

Ellen Rodenberg, our “communications manager” had a lot of work today

And this poster of the guerilla girls that I missed at the entrance shows engagement on a different level!

Platforms Project 2017

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#2: Athens – Documenta 14 @ Athens Conservatoire – Platforms Project 2017

20 mei 2017

Today the Platforms Project opened for the public. Before I had some time to visit a venue of Documenta 14, The Athens Conservatoire or Odeion as Greeks call it. In the next reports I will show the works I thought worth while, in the end I shall try to eveluate Documenta as a whole.

At the entrance – David Lamelas: Time as Activity – a three channel live feed from resp. the German parliament, the Acropolis and the Greek Parliament.

Susan Hiller made a beautiful work, a sound-booth with recordings of vanished or endangered languages

Of course, in a conservatory, music can not be omitted. The Contemporary Music Research Centre, founded by Iannis Xenakis, Giannis Papaioannou and Stephanos Vassiliadis conducted research and engaged in educational projects as well as festivals and collaborations.

For instance Mycenae Polypoton, a site specific performance set in the ruins of Mycenae in 1978. It involved musicians, singers, sheperds and lit sheep as well as other recitals of movement and light.

On the occasion of Documenta 14 an old synthisizer was restored, the EMS Synthi 100, a rare analogue synthesizer built in London in 1971. Four compositions have been written for it to be played during Documenta 14.

Akinbode Akinbiyi: Passageways, Involuntary and the Sound of Crowded Spaces – 2015-2017

Pélagie Gbaguidi: The Missing Link, Decolonisation Education by mrs. Smiling Stone – 2017

Pélagie Gbaguidi: The Missing Link, Decolonisation Education by mrs. Smiling Stone – 2017

Guilermo Galindo: Score for Boca de la noche – 2016 (from the series “Border Canto’s”)

Guilermo Galindo: Score for Border Planetarium – 2016 (from the series “Border Canto’s”)

Kettly Noël: Strange Fruit

André du Colombier: Untitled

Peter Friedl: Report – 2016

Ganesh Haloi: Untitled – 2016

Ganesh Haloi: Untitled – 2016

Hiwa K: Pre-Image (Blind as the Mother Tongue) – 2017 A video of a man escaping his country with a stick on his head with mirrors attached to it. He sees his surroundings and himself in the mirrors while we see him walking to his destiny. A voice-over relates his feelings in all this.

Hiwa K: Pre-Image (Blind as the Mother Tongue)-2017

After the Conservatory I walked to the venue where Platforms project was beïng held,. On the way I stopped at some of the places where small presentations in Documenta could be seen. The Nikos Hadjikyriakos- Ghika Museum, one of the four locations of the Benaki Museum is a beautiful house in the centre of the city. It shows biographies of well known writers, actors, poets, composers and painters and sculptors. The building used to be the house of Ghika, one of the famous Greek modernist painters, the two top floors show his living quarters and his studio. In between all this Documenta had placed work of forgotten painters. The paintings were not very interesting, apparently they were chosen because of their subjects: immigrants and other non Greek persons.

Beautiful sketches of renovation of The Niche, the 8th gymnasium school chapel of Athens

And this is the chapel, a nice modernist buiding

A picture of Greek poet Seferis together with Ezra Pound

This is the official document which was given to Giorgos Seferis when he won the Nobel Prize for litterature

36 Black and white pictures by Nikos Hadjikyriakos- Ghikawere added by Documenta

They show Greek living in the thirties

but you can recognise the painter in the structures and the compositions

The Numismatic Museum showed one work: that of Dan Peterman, who also shows at the EMST

It’s a bar of metal, the form suggests gold, from under the sea maybe?

Back in Platforms an impression of what is beïng shown by different artists initiatives:

Oversight EX-MÊKH booth

EX-MÊKH: Maarten Schepers

Maarten Schepers close up with his night-pictures of stars

Ellen Rodenberg: detail

Kees Koomen: oversight

KRAATZ is an interesting collaboration from Berlin with A-Trans’ Isolde Nagel, painter Marian Wijnvoord, musician Yorgos Dimitriadis, Stéphan Gueneau, Louise Crawford and philosopher Forbes Morlock. This installation was to change every day, though I found it interesting as it was

A-Trans showed photographs by Ekkehard Keintzel and pantings by Marian Wijnvoord

The combination of which worked out well

Moving landscapes by Marian Wijnvoord

Rosa Lux collaborated with other galleries again, this is Tiny Domingos at Beaston Projects

With slightly surrealistic pictures too

And this is Linda Weiss at Paper from UK

She had a beautiful presentation by the way, for instance with these Trump Tower grids!

National TV was present at the opening, interviewing Dutch globally based artist Willem-Jan Smit

The cellar was the real underground with nice work at ID:I

At Future Scenarios pictures were taken of the public

I don’t have the name of this collective, but it was a lively lot

At 24 hours project a daily change would take place also, I liked this as it was though!

With great graphic art up in the corner

and a protagonist on the side

Unnoticed Art presents an unnoticed exhibition, but it also executes performances of these artists regularly!

Unnoticed Art makes one curious for its intentions

but it appears to be a very intimate exhibition, featuring the works of EX-MÊKH-members

This is the wall in the cellar where the Lo and Behold shows their project, EX-MÊKH is presented in a nice context

After the opening of Platforms drinks in a local bar. On the way there we passed the Panathinaikos stadium, covered with grafitti!

Platforms Project 2017

Documenta 14

 

#1: Athens – Platforms Project 2017

May 19th 2017

First day in Athens: Filled with expectations we went to the new venue of Platforms project. It appeared to be a former Cutural Centre, a modernist building which had won a architectural prize and which haused all kinds of different spaces. There was an outside space next to the cafetaria  in the building which would later appear to be a  nice spot to get some air and to meet people. EX-MÊKH started to install their work immediately in a space that was rather difficult. However, Maarten Schepers made a model beforehand and Ellen Rodenberg installed her work in a way that gloriously overcame the problems at hand and manipulated the public into an active attitude towards the work.

Banners in front of the building

Ellen Rodenberg unpacking her paintings

The material at hand

Maarten Schepers installing his work

Installing Ellen Rodenberg’s Rail-system

The backdrop for Kees Koomen’s work

Ellen Rodenberg between paintings

EX-MÊKH also participates in a prsentation of the Greek platform The Lo and Behold with this piece, a collaboration of Maarten Schepers, Ellen Rodenberg and Kees Koomen

During the fair a conference would be held in this space, real underground. It appeared to be very effective during the two days that it lasted.

Second night in Athens already gave us presents

Unnoticed Art from Dordrecht , represented by Frans van Lent en Malou van Dormaal, joined us for dinner in the Plaka.

Shooting back at the Subway-station!

Platforms Project 2017

Art Athina 2016 Socially

28 mei 2016

Some pics made by different people at the fair

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Waiting for the public

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And there’s a lot of small talk!

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Art on location

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Group Picture of A-Trans and EX-MÊKH

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Maarten Schepers likes this work, folding flyers!

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here’s the public

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Collaborating on Navine Khan Dossos’ beautiful Capacity-project at Out Of The Box media

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A hit, the finger lights that Ellen Rodenberg took with her

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The French guys from Nantes at Extra Muros: Romain and Guillaume

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Artemis took the director of the fair to our Booth

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And my dear and faithful friend Triantafyllia also visited our booth

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A light from within ….

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The Druid

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A beautiful square, a delicious meal….

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View from the hotel room with a half moon

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The new Opera/cultural centre by the Stavros Niarchos Foundation by Renzo Piano

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And a view from the side.

EX-MÊKH

home

Framed Divergence

May 26, 2016

At Platforms Project during Art Athina 2016 EX-MÊKH presented it’s installation Framed Divergence, consisting of works by Maarten Schepers, Ellen Rodenberg and Kees Koomen. Images in a cinematographic cave, formed by the light shed by the artists on reality:

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View of the booth

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View on right side

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view on left side

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Maarten Schepers: no title

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Ellen Rodenberg: composition made of disposable materials

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Another view on the right side of the booth

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Kees Koomen

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Under – Kees Koomen: Street sounds. Above – Maarten Schepers: No title

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Maarten Schepers: No title

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Ellen Rodenberg: Composition

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Kees Koomen: Street sounds

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Kees Koomen: no title

Platforms Project @ Art-Athina

Malieveld, 4th anniversary

9 april 2016

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Leontine Lieffering zet Ingrid Rollema direct aan het werk.

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Maarten Schepers: Z.T.

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Maarten Schepers: Z.T.

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Bij Leontine Liefering vordert het werk gestaag, zij vroeg een aantal deelnemers om met stoffen draad de looprichtingen die zij die morgen in hun eigen huis hadden gevolgd in de plattegrond van het caisson uit Zeeland te leggen.

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Wat een mooie tekening op levert

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Die zich steeds verder ontwikkelt

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Loes Grotenbreg was in eerste instantie op een andere plek bezig, maar kwam daarvan terug

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Hans Ensink op Kemna had zich verkeken op zijn materiaalkeuze, maar hij wilde de compositie van een recent schilderij van hem in blauwe vuilniszakken op het gras leggen

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Wat uiteindelijk een bijzonder fijn beeld oplevert

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Vooral met deze skyline er achter.

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Kees Koomen: Plane to perform (for Jasper Johns), Malieveld 2 april 2016. Het is de basis voor een performance waarbij ik alle deelnemers aan deze jubileumeditie van het Malieveld-project vraag aan de rand van het vlak te staan, gezicht naar buiten. Dan vraag ik ze om 100 stappen te nemen, waarbij na elke 10 stappen de richting at random veranderd moet worden. Het resultaat is te zien in de volgende video.

2016-04-09 malieveld performance from a plane

Begin Performance from a Plane ( Kees Koomen)

 

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Klein maar fjn: Ellen Rodenbergs werkje vindt veel bewondering

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Ellen Rodenberg: Euroverschilderlandschap

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Maarten Schepers: Z.T.

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Loes Grotenbreg: Panoramakoker

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Loes Grotenbreg: Het Noorden

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Loes Grotenbreg: Het Noorden

Malieveld