Platforms Project- Beton Radio – day 3

May 19, 2018

Today I visited some of the stands at Platforms Project 2018 to check out what they were doïng, here are some things I liked:

 

But first I put up my third drawing from the Athens Diaries at the EX-MÊKH booth

Pantelis Vitaliotis at Space 52 from Greece

Happy Water by Daniela Domingues at Alisn from London: a video of an old aquaduct in Rome where they put a tenniscourt right next to it. In front are sculptures with a tennisball-imprint

I like those as a sculpture

The representative of Alisn was happy to participate at the EX-MÊKH booth

From our Home-town Den Haag: Elders! A flatiron and a wide open handbag are sweeping through space

Democracy in visual arts: the public can change the images

Our neighbours from Sweden are nice guys, this is made by Peter Westman of Daily Temporary. The material is sunken wood that has been taken from the water

Ed’s video from Canada had nice pieces like this Mountainview by Xiaojing Yan

made from anise stars

it is being echoed by this piece by Juliane Foronda

IDI Gallery had some nice pieces like these

I thought I heard the sound of a didgeridoo, but it was the vynil recording of a human voice. Very interesting sound and letter experiments at Random from Italy

Sandra Gea made a beautiful autobiografical collage and shows it at Binary Art Group from Malta

As is this beautifull weaving

IS-projects is a very interesting platform from Leiden (NL). International abstract art in wonderful presentations, an oasis in this fair, curated by Richard van der Aa!

Das Esszimmer from Bonn (G) is an interesting platform too, here with the work of Geneviève Morin

Which I really like for the painterly quality

Meanwhile an avantgarde jam-session is taking place at Daily Temporary. Exhibiting artist Lars Asling bought an old guitar and invites people to come play with him

The Wonderful MUU from Helsinki has a number of video’s to show amongst which Jukka Sillokunas stood out with this video about vanishing toy-pets. MUU also showed a really interesting educational project with kid-curators showing their choice of art.

Come alone, don’t call cops (what a name, by the way!) where the performance “Concrete execution” by Adrien Chevrier took place: a concrete mixer was mistreated

and misused while it was turning

Everything was out of context, out of sequence, out of measurements

And eventually the beast was killed, it stopped turning

Meanwhile Ellen was still trying to get a passport and she was send from the cupboard to the wall as we say in Holland

People kept coming in to cut and paste the collages of EX-MÊKH

Which turned out like this today

And this is the Athens Diary up to now!

There were a lot of side shows, open studios in art school but also “Giving”, this benefit for the blind. 210 artists participated in this.

After having dinner in the hip area near the Keramikos subwaystation we went to Beton 7  which hosts an international  show by IS-projects from Leiden (NL) under the name “RNOP – HELLENIKON” and “Doldrums”, a video installation by Jenn E. Norton.

The first space was occupied by a very effective installation-piece by Daniel Gottin which gave the place a structure to be used by the artist of the show

This is the work of Richard van der Aa who curated the IS presentation at Platforms Project.

Next to his are the works of Kyle Jenkins (AU) and Peter Holm (DK)

This is the work of IS-initiator Iemke van Dijk (NL)

And this is the work of the second IS-initiator Guido Winkler (NL)

This is the work of Billy Gruner (AUS), the curator of this show.

In the other space we could see the work of Jenn E. Norton. Doldrums is a video-installation in which light-reflection on refelective surfaces transmitting information through light.

It’s supposed to be seen with 3D glasses which causes a rather trancy atmosphere, which is enhanced by the slowly undulating waves and the music being played

Platforms Project 2018

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#3: Athens – Platforms Project 2017

May 21, 2017

This sunday was to be the longest day of the Fair: from 12.00 untill 23.00 h. Unfortunately it was also a day that some religious nameday was celebrated and that  important sportsevents took place. It was very quiet at the fair and it felt desencouraging to have so little people coming by, but everybody made the best of it. I visited some booths that I didn’t see yet as you can see here:

On the way to the Platforms we run into a Documenta project: Rasheed Araeen: Food for Thought: Thought for change – 2017 In this location refugees can have free meals every day. There’s a kitchen in the middle and  there are terraces all around.

The design is very efficiënt: recognisable from afar

Arriving at the Platforms the KRAATZ-artists appear to have liven up to their promise: the booth changes, here with added posters by Stéphan Guénau

Marian Wijnvoord and Isolde Nagel are stil in doubt about one wall

But this A-Trans wall is well done

Alexander Peev at Dadada Academy

Klitsa Antoniou: But at the End the Light was Shed on us and it got us to the shore – 2016.  A horrible video with a girl that tells about loving her father and how she likes to help him put shrapnel in bombs and how they flee to the west where she gets to know other children of her age

En Flo: Project Xouthou Street – a door from a house in the centre of Athens you can go through

after which you can write down what it brings about in you. Left under is my comment.

Extra Muros from Nantes was good again: they had subtle ceramic works by Cat Fenwick

It’s all about equilibrium

Guillaume Krick showed a very non-commercial installation with an old French flag

And Romain Rambaud was his usual elegant self with these sculptures

That I rather like

Diensgebäude is also present with work from Andreas Martí

and Chloe Cheuk

Elisabeth Wheeler

This work at Harrington Mills Studios was nice

I like the materiality of it

A sneak peak at the new unnoticed art exhibit featuring a small work by yours truly

Haïtian art at Kallio Kunsthalle, cut from car tires

Petri Saariko, the curator did well himself too

In the mean while our publicity was great: Ellen Rodenberg’s picture of her Malieveld piece was in a large national newspaper in an article about Platforms project

And I was interviewed by George Oreopoulos for Beton7 Art Radio (my favourite radiostation)

Our Dutch Globalist Willem Jan Smit made a round through the neighbourhood, created a sculpture

And projected it’s shadow on the wall by means of the dust he took off it

And of course some materials he used

One more view at Lo and Behold in the cellar

With work by Linda Weiss

Ed’s Video from Canada had surprisingly analogue art with him this time

End we ended up nearby in a restaurant during a blazing thunderstorm

Nico Parlevliet from Unnoticed Art joined us from Holland and everybody sang for me after midnight because of my birthday!

Platforms Project 2017