#9: Athens – Ancient Agora – Documenta 14@Athens Conservatoire once more

May 27, 2017

This day we decided to visit the ancient Agora, a public place where the ancient Greeks came together. The Agora is situated in front of the Acropolis on which it shows a magnificent view. In the restored Stoa of Attalos you can find a museum with sculptures and archeological findings from the terrain.
After a simple lunch we decided to visit the Athens Conservatoire once more for those who didin’t visit it yet. I appeared to have missed part of the Documenta exhibition there so for me too it was worth while. After that we were to have dinner with our German friends near there, but alas, that didn’t work out.

View on the Acropolis from the Ancient Agora

Triton at the entrance of the Palace of the giants, a gymnasium ( A.D. 410-530) which was built after the Odeion of Agrippa (15 B.C.) was destroyed by fire in the Herulian invasion. This Triton, as the other three that are still te be seen, remains from the Odeion.

The temple of Hephaistos from a distance. This temple is told to be the best kept antique temple on Greek soil.

My wife was able to join me the last couple of days. After having heard so many stories about Athens the past three years she wanted to see for herself again!

The headless Roman emperor  Hadrian

View on the Stoa of Attalos (159 – 138 B.C.) from a distance. This Stoa was built by Attalos II, king of Pergamon for the Athenians to meet, walk and do business. The Heruli destroyed it and in the fifties of the last century it was restored.

View on the inside of the Temple of Hephaistos

View over the length on the inside

View from the north

Metope from the side of the temple

Frontal view on the temple of hephaistos

This is what is left of the Middle Stoa (180-140 B.C.)

View on the restored Stoa of Attalos

Figurines of theatrical personae

Theatrical masks

Plan of the Agora at its fullest development in 2nd century A.D.

Athens Conservatoire

 

Nevin Aladagh: Music Room with funiture, housewares, musical instrument components and performances. At this moment a musical performance was being held with furniture instruments

Sedja Hémon, a rediscovered artist from Den Haag

Sedja Hémon

Sedja Hémon

Edi Hila

Edi Hila

Elisabeth Wild: Fantasia

Anna Davcíkova: on Allomorphing – 2017

Daniël Knorr: Book press

On this press dummies would be pressed

with stuff from the streets between its pages

The Ancient Agora

Documenta 14

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#2: Athens – Documenta 14 @ Athens Conservatoire – Platforms Project 2017

20 mei 2017

Today the Platforms Project opened for the public. Before I had some time to visit a venue of Documenta 14, The Athens Conservatoire or Odeion as Greeks call it. In the next reports I will show the works I thought worth while, in the end I shall try to eveluate Documenta as a whole.

At the entrance – David Lamelas: Time as Activity – a three channel live feed from resp. the German parliament, the Acropolis and the Greek Parliament.

Susan Hiller made a beautiful work, a sound-booth with recordings of vanished or endangered languages

Of course, in a conservatory, music can not be omitted. The Contemporary Music Research Centre, founded by Iannis Xenakis, Giannis Papaioannou and Stephanos Vassiliadis conducted research and engaged in educational projects as well as festivals and collaborations.

For instance Mycenae Polypoton, a site specific performance set in the ruins of Mycenae in 1978. It involved musicians, singers, sheperds and lit sheep as well as other recitals of movement and light.

On the occasion of Documenta 14 an old synthisizer was restored, the EMS Synthi 100, a rare analogue synthesizer built in London in 1971. Four compositions have been written for it to be played during Documenta 14.

Akinbode Akinbiyi: Passageways, Involuntary and the Sound of Crowded Spaces – 2015-2017

Pélagie Gbaguidi: The Missing Link, Decolonisation Education by mrs. Smiling Stone – 2017

Pélagie Gbaguidi: The Missing Link, Decolonisation Education by mrs. Smiling Stone – 2017

Guilermo Galindo: Score for Boca de la noche – 2016 (from the series “Border Canto’s”)

Guilermo Galindo: Score for Border Planetarium – 2016 (from the series “Border Canto’s”)

Kettly Noël: Strange Fruit

André du Colombier: Untitled

Peter Friedl: Report – 2016

Ganesh Haloi: Untitled – 2016

Ganesh Haloi: Untitled – 2016

Hiwa K: Pre-Image (Blind as the Mother Tongue) – 2017 A video of a man escaping his country with a stick on his head with mirrors attached to it. He sees his surroundings and himself in the mirrors while we see him walking to his destiny. A voice-over relates his feelings in all this.

Hiwa K: Pre-Image (Blind as the Mother Tongue)-2017

After the Conservatory I walked to the venue where Platforms project was beïng held,. On the way I stopped at some of the places where small presentations in Documenta could be seen. The Nikos Hadjikyriakos- Ghika Museum, one of the four locations of the Benaki Museum is a beautiful house in the centre of the city. It shows biographies of well known writers, actors, poets, composers and painters and sculptors. The building used to be the house of Ghika, one of the famous Greek modernist painters, the two top floors show his living quarters and his studio. In between all this Documenta had placed work of forgotten painters. The paintings were not very interesting, apparently they were chosen because of their subjects: immigrants and other non Greek persons.

Beautiful sketches of renovation of The Niche, the 8th gymnasium school chapel of Athens

And this is the chapel, a nice modernist buiding

A picture of Greek poet Seferis together with Ezra Pound

This is the official document which was given to Giorgos Seferis when he won the Nobel Prize for litterature

36 Black and white pictures by Nikos Hadjikyriakos- Ghikawere added by Documenta

They show Greek living in the thirties

but you can recognise the painter in the structures and the compositions

The Numismatic Museum showed one work: that of Dan Peterman, who also shows at the EMST

It’s a bar of metal, the form suggests gold, from under the sea maybe?

Back in Platforms an impression of what is beïng shown by different artists initiatives:

Oversight EX-MÊKH booth

EX-MÊKH: Maarten Schepers

Maarten Schepers close up with his night-pictures of stars

Ellen Rodenberg: detail

Kees Koomen: oversight

KRAATZ is an interesting collaboration from Berlin with A-Trans’ Isolde Nagel, painter Marian Wijnvoord, musician Yorgos Dimitriadis, Stéphan Gueneau, Louise Crawford and philosopher Forbes Morlock. This installation was to change every day, though I found it interesting as it was

A-Trans showed photographs by Ekkehard Keintzel and pantings by Marian Wijnvoord

The combination of which worked out well

Moving landscapes by Marian Wijnvoord

Rosa Lux collaborated with other galleries again, this is Tiny Domingos at Beaston Projects

With slightly surrealistic pictures too

And this is Linda Weiss at Paper from UK

She had a beautiful presentation by the way, for instance with these Trump Tower grids!

National TV was present at the opening, interviewing Dutch globally based artist Willem-Jan Smit

The cellar was the real underground with nice work at ID:I

At Future Scenarios pictures were taken of the public

I don’t have the name of this collective, but it was a lively lot

At 24 hours project a daily change would take place also, I liked this as it was though!

With great graphic art up in the corner

and a protagonist on the side

Unnoticed Art presents an unnoticed exhibition, but it also executes performances of these artists regularly!

Unnoticed Art makes one curious for its intentions

but it appears to be a very intimate exhibition, featuring the works of EX-MÊKH-members

This is the wall in the cellar where the Lo and Behold shows their project, EX-MÊKH is presented in a nice context

After the opening of Platforms drinks in a local bar. On the way there we passed the Panathinaikos stadium, covered with grafitti!

Platforms Project 2017

Documenta 14